Showing posts with label floyd elzinga. Show all posts
Showing posts with label floyd elzinga. Show all posts

Thursday, December 24, 2020

Dec 24 2020 - Yule Logs

 

I don't remember covering the tradition of the Yule Log.  About 6 years ago, I put together a garden presentation on Christmas - Christmas trees, Poinsettias, Christmas displays such as Longwood with their trees made of succulents and herbs, and their lights making stars in the sky.  There are botanical displays at Niagara Falls Greenhouse, Toronto's Centennial Greenhouses and Allan Gardens - they all have topiary Christmas displays.  

But I hadn't considered the Yule Log to be a garden topic.  The traditional log is meant to come from the forest - cut down a sizeable oak trunk/log so that it burns for so many days preceding Christmas. Another version has a portion of the log being burnt each evening up till Christmas (more practical).

Considered a Germanic pagan tradition,  it is an emblem of divine light and is meant to absorb all the bad and negative things so that when it is burned, they are dissolved.  In some cultures, there is a tradition of dragging the Yule Log from house to house and absorbing the whole town's negativity.  


It has somehow evolved into a French cake - Buche de Noel.  Cut one end of the log off and place it on top of the cake, along with other adornments - sleighs, trees, and so on.  Maybe make a chocolate pine cone or little marzipan mushrooms.  Given the ganache and buttercream fillings, it makes me think of this Christmas thought:
 
When what to my wondering eyes should appear...
but ten extra pounds on hips, thighs and rear.

And here's a cartoon I found that combines the Yule log and the Christmas letter.
 

This is one of my favourite holiday cards - Floyd Elzinga work with some stars added.  His tree trunks definitely would make great Yule Logs.
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Monday, November 23, 2020

Nov 23 2020 - Something Different

 

I was thinking of this in relation to Christmas vs Monty Python.  Toronto and Peel region have gone into lockdown so there will be no Christmas shopping in stores.  Toronto's Mayor asked shoppers to not flock to malls.  But they did -  it makes me think of flocks of starlings over the vineyards.  

All the 'changing the way we shop' articles were written in May and June 2020.  They are too perky.  They don't seem to capture the sense of loss we've experienced.  So much is encased in shopping - meeting with our shop owners and catching up with them, the visual stimulation of the displays, checking out goods that are new and creative, things like this. 

We are encouraged to experience the 25 hottest gifts of 2020 that are so going to sell out online?  Let's try.


StopWatt - Genius New Tech Slashes Your Electric Bill in Half - A German-based startup company has come up with a new innovative and inexpensive gadget that helps you not only lower your electric bill, but can also increase the lifespan on expensive household appliances. Within just one month, the device would pay for itself.

BarxBuddy - Ingenious Device Stops Dog Barking And Makes Dog Happy  - Thanks to painless ultrasound tones, it helps the dog to calm down. He follows like magic.  
It is also ideal to protect anyone from unfriendly and aggressive dogs they meet around the world. Just owning it can save you them one of the worst experiences of their life.

StankStix - Eliminate Shoe Odor and Bacteria Instead of Covering It Up - Featured on Shark Tank

Photostick - Save & Protect All Of Your Photos With 1 Click!

FlipFork – The 5-in-1 tool will turn anyone into a grill master.

ScreenKlean - Carbon Cleaning Technology Makes Dirty, Dusty Digital Screens Crystal Clear Again.

MUAMA Translator - #1 pick: This Device Lets You Speak 43 Languages At The Touch Of A Button.

I find this amusing since "holidaymakers, business travellers, and employee" won't be encountering many language barriers while travelling any time soon.


So I know we have COVID fatigue when these start to seem intriguing. 


This picture is one of my favourites - a Floyd Elzinga sculpture with the overlay of glow stars from aTopaz filter.  He has an open house at his studio this coming Friday and Saturday.  Lots of rust to behold!

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https://marilyncornwell.blogspot.com
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Tuesday, September 29, 2020

Sep 29 2020 - Sell That Meme

 

Can you sell memes?  And what is the Meme Economy?  You must be able to - that's because memes surpassed Christ in online popularity since 2016.  And the MemeEconomy (as it is known) has been with us for a few years already.

Etsy tells us this: You can buy, sell, or trade your Memes, safe in the knowledge that ownership will be tracked securely – thus ensuring your memes are not plagiarized. On Etsy, you can sell whatever meme-inspired creation that you're able to whip up.

In 2017, Reddit created a team to take on the Meme Stock Market: They called the trading tool NASDANQ, a cheeky financial system for an alternate universe where meme is king.  It is a system where you can buy shares in memes, betting on their success.  Go to the Meme Economy to buy, sell, share, make and invest in templates freely - scroll through the ads HERE on reddit.  

I went to knowyourmeme.com where you can buy a lot of stuff considered best sellers.  I found it disconcerting that the most popular one is  'Epstein didn't kill himself' And you can scroll through the latest images of proposed memes.  

I found Esquire's roundup of the best memes of 2020.  I think you have to scroll through yourself.  Find them HERE.  

In retrospect, we had memes in our childhood - knock knock jokes and Alexander the Great jokes come to mind.  Here's how I know my age: the 6 oldest memes on the Internet came about in 2000.  They do reference the dancing baby of the 1990's.  Before that, we are part of history and fit into folklore.  How quaint!

It was open house on the weekend at Floyd Elzinga's studio located in Beamsville.  He's the metal sculptor with the well-known pinecone sculptures.  Here's a small sample.

Read past POTDs at my Blog:

https://marilyncornwell.blogspot.com
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Tuesday, February 18, 2020

North Up

I have a bias that North is up and even that there is an up for world.  This has to do with the magnetic north pole and all the pictures of the world with the north pole at the top - real pictures and pictures we create - maps.  Somehow, intellectually, I realize this might not be the case - that this is our Western World view that continues to be bubblesome.

Did you know that the Blue Marble photograph - the famous photograph of the Earth taken from on board Apollo 17 had the south pole at the top - and got turned around to match our familiar view?

The Greek astronomer Ptolemy (90-168AD) set this in motion - that north is up.  In between much happened.  It got cemented by the European navigators using the North Star and the magnetic compass.

Before that, the top of the map was to the East. It has never been to the West.  The West is traditionally a representation of death, where the sun sets. 


Poor Australia, always represented at the bottom.  There are maps with Australia at the top - McArthur's Universal Corrective Map of the World is the great example.  There is a person named the Wizard of New Zealand who has made an imperial British upsidedown map.

In the Ancient world, Arabia, put south at the top.  The explanation is that if you wake up and face the sun, south is on the right.  With the sea to the south of them, there was nothing "on top" of the country, so they predominated the map visually. (This is what maps are for - to show 'our position').  By definition, they are political, politicized.


Buckminster Fuller created the Dymaxion Map - no compass direction consistently facing the same way - it is an unfolded icosahedron.  Didn't he reveal the global village - look how connected we are in this version!

Then there is the Peters Projection:  "one of the most stimulating and controversial images of the world".  It is HERE.  It addresses the challenge:  which is bigger, Greenland or China?  It is described as an 'equal area' map.

"When this map was first introduced by historian and cartographer Dr. Arno Peters at a Press Conference in Germany in 1974 it generated a firestorm of debate. The first English-version of the map was published in 1983, and it continues to have passionate fans as well as staunch detractors. " This map is used for world aid by charity organizations such as Oxfam.  

The International Society for Global Inversion believes that flipping iconic world maps everywhere would be a symbolic ceremony to help mankind break its old thought patterns, and act in a more ecological way.  We conclude with the Guide to Unusual Maps on the Web HERE

Flowers and Floyd Elzinga's metal sculpture are our images today.
Read past POTD's at my Blog:

http://blog.marilyncornwell.com
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Tuesday, July 28, 2015

Rust Never Sleeps

A search on the term 'rust' brings up a website that explains Rust is an Early Access survival game on Steam, created by Facepunch Studios.  "The only aim of Rust is to survive.  To do this you will need to overcome struggles such as hunger, third and cold.  Build a fire.  Build a shelter..."

It seems fitting to call a survival game Rust. I stopped at Floyd Elzinga's studio last week and got some pictures of new rust on the metal sheets that were lying on the ground.  He has a fire pit pinecone - that's the second photo of old rust.  It shows the different patinas in new and old rust.  Rust seems to always survive is one form or another.

Monday, April 27, 2015

Pinecone Invasion Reaches Toronto

I was in Toronto in the week, and my first stop was the Brookfield Plaza.  It is the atrium space between Bay and Yonge Street close to Front Street. It is a magnificent space, serene and soaring.  Jonah in the Whale is the metaphor that seems to describe this space for me.

What would draw me to this space?  It has an art exhibit that I was looking forward to experiencing - Floyd Elzinga's Pinecone Exhibit.  It was a delight.  The space is so vast that some of the pinecones appear small.  But this is not the case - they are large.  
I found these natural forms to be beautiful and enchanting in the space.

I find out that I would clearly fail Art Appreciation 101.  And I got a lesson in how an artist gets good press with interesting stories.  Floyd's intent is the opposite of what I see.  Here's what he says in an article about the pinecones.
'These “Colonization Devices“, as Elzinga has dubbed them, illustrate and explore the dichotomous nature of seeds — simultaneously seen as innocuous and aggressive. With that in mind, Elzinga sought instead to aim attention at the threatening, almost hostile nature of the seeds, using the ordinariness of steel and its commonplace use to liken them not to the organic yet geometricized form they resemble, but to machinery and artillery; in turn, equating them to hand grenades.
This juxtaposition of the seeds’ reason for being – colonization — and the sculptures’ shape emulating a hand grenade or bomb inserts an irrefutable political agenda into the artwork and fouls the pine cone’s purity. By comparing the potential of both seed and bomb, Elzinga insinuates that the pair possess the innate desire to stay alive — to invade and colonize.'

 

Wednesday, February 4, 2015

Floyd Elzinga Extraordinary Artist

The Artist's Vision

Floyd Elzinga's Vision

Floyd Elzinga is a sculptor in metal. He lives in Beamsville with his studio on Mountain Street. The natural world is his subject. Here's his Artist Statement from his website 

http://www.floydelzinga.com

 

"Rotten stumps, broken branches, invasive species, ravaged trees as well as polar opposites and dysfunctional objects; these are the things that excite Floyd Elzinga. He has made a career out of highlighting and glorifying these through three dimensional sculpture, relief work and environmental installations for over 15 years. Current themes in his work focus on broken landscapes, portraits of trees and the aggressive nature of seeds."


I asked Floyd's permission to photograph his work and to be able to publish my images. He is very receptive to this as his work is three dimensional sculpture, so the original work cannot be replaced or reproduced.  This allows me to to pursue my interest in pattern, line, texture and saturated colour with extraordinary subject matter - subjects of the artist's eye that incorporate the natural world and urban materials.